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  • 30/10/2023 19:05 | Anonymous member (Administrator)

    Queen High cover

    Queen High by C.J. Carey

    (Quercus, 2022)

    Reviewed by L.J. Hurst

    Although not the first alternate history in which a Nazi leadership sits in London, Queen High is interesting among feminist visions of it. And “interesting” needs a list to explain why.

    First, note that this is a sequel to Widowland, in which Rose Ransom and her friends and family were introduced. Rose works as a civil servant and literary censor. Her responsibility, though, is more like Winston Smith’s in Nineteen Eighty-Four: that is, Rose, to satisfy the aesthetic demands of (real Nazi) Alfred Rosenberg’s belief that women should be subject to men, and that literature should reflect this, re-writes the classics. The nadir of the practice can be read in the first sentence of Jane Austen’s Pride and Prejudice: “It is a truth universally acknowledged that a single woman in possession of a womb must be in want of a husband”.

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    Review from BSFA Review 21 - Download your copy here.


  • 27/10/2023 09:43 | Anonymous member (Administrator)

    Augur cover

    Augur by John C. Sable

    (Self-Published, 2022)

    Reviewed by Stuart Carter

    Monks, eh? What are they like? In Augur, 200 of them seal themselves inside an impenetrable concrete dome for the next 200 years. Or rather, 199 monks do: one runs off en-route to the finished dome (and the concrete dome isn’t completely sealed, as we later discover).

    Sealed inside their new home, our monks only see the outside world through “simulations”, but their isolation means they’re now able to predict the future and guide the rest of us towards a better world. How this works is not something that’s explained, and doesn’t feel intuitively very likely, to be honest. Perhaps some Delphic sense kicks in when you’re cut off from the rest of humanity? Or have they discovered psychohistory 10,000 years before Hari Seldon?

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    Review from BSFA Review 21 - Download your copy here.


  • 25/10/2023 19:46 | Anonymous member (Administrator)

    Fables and Spells cover

    Fables and Spells by adrienne maree brown

    (AK Press, 2022)

    Reviewed by Susan Peak

    adrienne maree brown (she doesn’t capitalise her name) is a Black American woman writer who has attended a Clarion workshop. She is active in healing (social and sexual) and restorative justice work in the US, is a doula, and has written several books. These are mainly related to her activist work, e.g., Emergent Strategy, a sequence of books about sustainable social change where adrienne’s view is that social change should be pleasurable and not solely work (this emphasis on a different approach to social issues has faint echoes of New Wave science fiction). She has combined speculative fiction, where she has been described as an Afrofuturist writer, with her activism, e.g., when co-editing Octavia's Brood: Science Fiction Stories from Social Justice Movements. Combining these concerns and interests is very evident in Fables and Spells, one of the Emergent Strategy sequence, which contains a mixture of short stories and poems.

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    Review from BSFA Review 21 - Download your copy here.


  • 23/10/2023 19:06 | Anonymous member (Administrator)

    Flux cover

    Flux by Jinwoo Chong

    (Melville House Publishing, 2023)

    Reviewed by Jamie Mollart

    Flux by Jinwoo Chung is told over three storylines in three timelines which wind together and intertwine in a way designed to confuse and entrance the reader.

    Bo is an 8-year-old reeling over his mother’s death, while obsessing over a Noir Cop drama, Raider, and arguing with his father and brother.

    Blue is a 48-year-old mute, able to talk through cybernetic implants, who is called upon to take part in a television expose of the tech startup he used to work for, Flux.

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    Review from BSFA Review 21 - Download your copy here.


  • 20/10/2023 16:54 | Anonymous member (Administrator)

    Hel’s Eight cover

    Hel’s Eight by Stark Holborn

    (Titan Books, 2023)

    Reviewed by Nick Hubble

    Hel’s Eight is the sequel to Stark Holborn’s 2021 space western Ten Low and, while it could be read on its own, readers would probably benefit from reading the earlier novel first. There has been some debate as to whether describing these books as westerns is selling them short but that rather depends on people’s attitudes to westerns. If like me, you are a fan of the spaghetti and revisionist westerns of the 1960s and 1970s, and especially trippy counter-cultural westerns such as Alejandro Jodorowsky’s El Topo or Monte Hellman’s The Shooting, then you will relish the feverish intensity of these novels. As an upgrade, the traditional gender politics of the western have been long outrun here so that we have in Joanne Harris’s words ‘a wonderful fusion of Firefly and Joanna Russ, with an Ennio Morricone soundtrack’. This is the kind of future that I used to dream about in my wildest fantasies but somehow the twenty-first-century grind of capitalist realism has driven such visions away from us. Therefore, the first task of this review is simply to register gratitude for Holborn’s implicit invitation to readers to completely unfetter their imaginations again.

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    Review from BSFA Review 21 - Download your copy here.


  • 18/10/2023 19:01 | Anonymous member (Administrator)

    Hopeland cover

    Hopeland by Ian McDonald

    (Gollancz, 2023)

    Reviewed by Nick Hubble

    Hopeland is a huge novel in every respect, coming in at nearly 650 pages, spanning locations including the UK, Greenland and the Pacific Islands, and encompassing a time period running from the 2011 London riots to a climate-ravaged early 2030s. However, its full temporal scope is even bigger than this summary suggests, stretching back into the eighteenth and nineteenth centuries and forward to a future, millennia hence, as it poses the question of whether a family might outlive the Anthropocene by lasting for 10,000 years.

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    Review from BSFA Review 21 - Download your copy here.


  • 16/10/2023 08:57 | Anonymous member (Administrator)

    The Last Storm cover

    The Last Storm by Tim Lebbon

    (Titan Books, 2022)

    Reviewed by John Dodds

    In the realm of post-apocalyptic novels, of those I have read, at any rate, I would argue that The Last Storm stands head and shoulders above many of them with its original ideas, crystalline prose, clever fantastical ideas that are both plausible and questionable. I say “questionable” in a positive way, because of the superficially technical elements (the rainmaking machine) and the mystical (the otherworldly powers needed make said machines work) combine in a way that makes for a highly original premise, though also of course requiring a willing suspension of disbelief.

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    Review from BSFA Review 20 - Download your copy here.


  • 13/10/2023 14:13 | Anonymous member (Administrator)

    What Moves the Dead cover

    What Moves the Dead by T. Kingfisher

    (Titan Books, 2022)

    Reviewed by Andy Sawyer

    T. Kingfisher seems to have cornered the market in an intriguing subgenre: novels not exactly re-writing classic horror stories but visiting their worlds. The Twisted Ones collides with Arthur Machen’s “The White People”, while The Hollow Places owes quite a lot to Algernon Blackwood’s “The Willows” and C.S. Lewis’s The Magician’s Nephew (specifically that novel’s “Wood Between the Worlds”). Each novel contains some very chilling scenes, marred by others where the narrator tells us that we are in a horror novel (“Oooh look, this is just like Algernon Blackwood/C.S. Lewis!!!—and I only very lightly paraphrase). Each, however, can be recommended for fans of the originals. “Sequels by other hands” of well-known stories, of course, are legion, but these are playful encounters with scenarios we know rather than pedestrian rip-offs.

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    Review from BSFA Review 20 - Download your copy here.


  • 11/10/2023 16:58 | Anonymous member (Administrator)

    The Unknown: Weird Writings, 1900-1937 cover

    The Unknown: Weird Writings, 1900–1937 by Algernon Blackwood (ed. Henry Bartholomew)

    (Handheld Press, 2023)

    Reviewed by Kevan Manwaring

    Master of the supernatural tale Algernon Blackwood (1869-1951) has long had his devoted acolytes, but in recent years the British writer of Horror and Weird fiction has had something of a resurgence of interest, with more of his work—once tracked down like uncanny beasts in the backwoods of obscure bookshops—in print now than ever. The British Library’s ‘Tales of the Weird’ imprint has republished many of his classic tales; and now joining this wave is Bath-based small press, Handheld Press, which specialises in republishing lost classics.

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    Review from BSFA Review 20 - Download your copy here.


  • 09/10/2023 16:37 | Anonymous member (Administrator)

    Atom the Beginning 03 cover

    Atom the Beginning 03 by Osamu Tezuka
    Concept: Masami Yuuki
    Artwork: Tetsuro Kasahara

    (Titan Graphic Novels, 2023)

    Reviewed by John Dodd

    It begins in a reactor going critical, as the robot designated Six saves several humans from the blast but is caught up in it and damaged, with the remains of it going on to form the basis of an experiment into whether or not robots can develop emotions and become truly intelligent.

    This in turn leads to interested parties wanting to kidnap the scientists who are responsible for the advances being made, which in turn leads to the robot defending them and a chase ensues as the villains seek to hunt them down, only to find that Six has developed skills that were never programmed into it, and has decided to download information that it shouldn’t have had access to in order to improve itself.

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    Review from BSFA Review 20 - Download your copy here.


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