The Fantastic Editorials by Ted White
(Ansible Editions, 2023)
Reviewed by Graham Andrews
Roughly speaking, Fantastic was to Amazing what Unknown was to Astounding, what Beyond was to Galaxy, and Science Fantasy was to New Worlds. It should be said that I rather preferred the science-fantasy magazines to their more respectable companion magazines, although a certain amount of overlap did occur. Hence my predilection for F & SF… but I digress.
Abstracted from Ted White’s fortuitously quotable Foreword: “I became the editor of Fantastic and Amazing in October 1968 [publisher: Sol Cohen]. I left them in October 1978. But they were bottom feeders then, with little if any remaining reputations. I had to build them back up. I began by convincing Sol to push the reprints down to a single ‘classic’ story. Suddenly we were in business, with over 90% of our fiction brand new. Within a couple of years, the last reprint was gone.” And “build them back up” he slowly and surely did, both magazines being duly nominated for Hugo awards. Brian Aldiss’s Frankenstein Unbound (a two-part serial in Fantastic: March–May 1974) was deservedly short-listed for the Booker Prize, but undeservedly didn’t win. Ditto Will-O-the-Wisp (September 1974), by Thomas Burnett Swann—“a pleasure to read and a delight for me to publish.” The list of classic short and long fantasy fiction, by the likes of Michael Moorcock and Jack Vance, would reach from There to Back Again.
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Review from BSFA Review 22 - Download your copy here.
The Amazing Editorials by Ted White
Please bear with me for a few preliminary Down Memory Lane words, concerning Marshall’s newsagents in 1960s/1970s Belfast, Northern Ireland. It sold just about every American SF magazine then extant, including the otherwise unobtainable Amazing and Fantastic. Both these magazines had been in the doldrums for several years, and I generally gave them a miss. What attracted me back to reading them was the editorial policy of Ted White—and the editorials written by Ted White. BTW: I’m prone to reading the non-fiction contents of a magazine before getting round to reading the fiction.
Editorials in stf (White’s preferred contraction) magazines were nothing new by then, of course, with John W. Campbell of Astounding/Analog being the prime impersonally polemical example. In his Introduction (‘The Amazing Ted’), Mike Ashley avers that a magazine should have a distinctive personality: “That personality may in part be a product of the contributors but its chiefly created by the editor—of an editor who loves what they’re doing.” White followed the fan-friendly example of Raymond A. Palmer, who had also edited both Amazing and Fantastic, back in the mid-century day.
A House with Good Bones by T. Kingfisher
(Titan Books, 2023)
Reviewed by Susan Peak
T. Kingfisher, the author, also writes as Ursula Vernon. As Ursula Vernon, she writes children’s graphic novels, notably the Dragonbreath series, while as T. Kingfisher she writes adult horror fiction. Her 2020 book, The Twisted Ones, won the Dragon award for Best Horror Novel. This book is described as US Southern Gothic; it is creepy but doesn’t tip over into full-on horror. I found it to be an engaging book, well written, with distinct characters and a strong storyline. At 259 pages it’s easily read in one sitting.
The story is set in North Carolina, in an ordinary subdivision (a village, from the context), with fairly new houses that are becoming somewhat dilapidated—this helps to set the atmosphere. Samantha Montgomery is the protagonist, coming back to the family home when there is a break in the archaeological dig she is involved with. The Gothic element starts promptly with a vulture on the mailbox of her mother’s home; the vulture theme continues throughout the book.
Garth Marenghi’s TerrorTome by Garth Marenghi
(Hodder & Stoughton, 2022)
Reviewed by Kevan Manwaring
Garth Marenghi is the alter-ego of comedian and actor Matthew Holness, initially created for the titular showcase, Garth Marenghi’s Darkplace (first broadcast on Channel 4 in 2004). Holness introduced each episode in the guise of Marenghi, channelling the look (black leather jacket and mirror shades) and low voice of 80’s Horror novelists, and satirising the classic hosts of cult anthology series from Alfred Hitchcock to Rod Serling, Elvira to Doctor Terrible. Hilariously conceited and oblivious of his own lack of talent, Marenghi is now given full rein in this deliberately overblown metanarrative (‘the longest and most terrifying epic fictive of my career’), which places the author—or rather a thinly-veiled version of his comedic persona—at the centre of his own narrative: ‘Nick Steen’s the name. Perhaps you’ve heard of me? Yeah, that’s right. The horror guy. The insanely rich, multiple best-selling, dark and dangerous-to-know paperback visionary of the dark arts.’
A Dance for the Dead by Nuzo Onoh
(Stygian Sky Media, 2022)
Reviewed by Phil Nicholls
Nuzo Onoh’s A Dance for the Dead is a fascinating blend of horror and fantasy, with a strong set of engaging characters. The novel is set in an African village, home to the king of the nearby clans. Onoh makes great use of this setting, weaving together mythology and the rhythms of life in rural Africa. It is the intense rivalries of this close-knit community that fuel the dramatic plot.
Diké, eldest son of the King, is leader of the powerful Ogwummi warrior cult and the apple of the King’s eye. However, Diké’s younger brother, Ife Feather Feet, prefers dancing and palm wine to the responsibilities of adulthood. When the King asks Diké to kidnap Ife and push him into marriage, Ife arranges with the unpopular Emeka to kidnap Diké first and delay any threat of marriage.
Twice Cursed edited by Marie O’Regan and Paul Kane
Reviewed by John Dodds
Ever wondered what happens to key characters in fairy tales after the main story has concluded or how they could be interpreted in other ways? Well, those stories form the main thrust (though not in every case) of the tales in this second volume of the Cursed series, Twice Cursed.
Given the available space, I won’t attempt to summarise and review all the stories herein, but I will try to capture some elements that I hope will engage your interest in reading what is an utterly compelling, disturbing, unusual, beautifully written anthology.
We kick off with short, sharp shock of a tale by Joanne Harris, “The Bell” about a woodcutter’s son with aspirations to change his life, but a rescue mission he undertakes has serious consequences: “Before you ring the bell…be sure to know what tune it plays”.
The Blackhart Blades by David Gullen
(Newcon Press, 2023)
Reviewed by Steven French
This is a whimsical slice of fantasy involving the usual suspects: a gang of good-hearted mercenaries, known as Blackhart’s Blades, are taking home the heart of their former leader, when, in need of money, they decide to take on one more job while crossing a remote mountain kingdom. The King of Zangomar having just died, the crown has passed to his daughter, Queen, formerly Princess, Zaphron. However, as the Steward Sieur Bon Banacort explains, in between reciting his own bad poetry, Zaphron rushed to her rooms at the top of one of the castle’s towers the day after her father’s death and hasn’t been seen since. That very same night, the kingdom’s Treasury was emptied and the General of its army, so-called ‘Black’ Talahan, retreated to Hardknot Keep, where he is currently holed up, refusing to come out. The Blades’ mission, should they choose to accept it, is to kill Talahan, return the gold to the Treasury and persuade Queen Zaphron to show herself, although Banacort doesn’t seem that bothered about that last bit. A further pinch of spice is added to the stew by the threat that Zangomar faces from Veng the Usurper whose army is massing on the border. And, it turns out, Hardknot Keep occupies the ‘pinch-point’ at the mouth of the valley which offers the only passable route for such an army to march into the kingdom.
The Other Side of Never edited by Marie O’Regan and Paul Kane
Reviewed by Ksenia Shcherbino
A good story is always like an onion—it opens new layers of meaning each time you approach it. Even more so, if the book in question is Peter Pan—less than a book and more a mythology, a way of seeing the world, an identity. The protean nature of the original has its impact on its literary progeny: The Other Side of Never is a collection of short stories engaging with Peter Pan, spin-offs and palimpsests, sidequels and crossovers, re-tellings and re-imaginings, and its variety is both its strength and its weakness. I found the stories uneven in their depth, but isn’t it the essence of Peter Pan the book: as Kirsten Stirling mentions in her Peter Pan’s Shadows in the Literary Imagination (2012), the book is full of shadow-play and make belief, with various seekers searching their own truths: Peter Pan, his shadow, Wendy and Captain Hook (both with their own agenda), Wendy’s parents, their children, the crocodile, Captain Hook, the readers (and, as The Other Side of Never shows, the writers with various degrees of fascination, approval and dismissal), their own version of the boy who wouldn’t grow up.
Ink Blood Sister Scribe by Emma Törzs
(William Morrow, 2023)
Ink Blood Sister Scribe is a love ode to books and their intrinsic magic. It is also a fantasy with elements of a thriller and has all the right ingredients for a captivating read: libraries, mirrors, dysfunctional families, powerful villains, spells, secrets and magic. There are a lot of traditional fairy tales elements that work (or don’t work) according to expectations: evil (or not so evil) stepmothers, old houses filled with magic and mirrors opening passages, magical (or not so magical helpers) along the quest, and the quest itself—a discovery of one’s true story, one’s belonging and one’s identity. There is also gun violence, mutilation and murder. In a nutshell, three narratives are tightly woven together by three main characters: two estranged step sisters, Joanna and Esther, and Nicholas, a scion of a wealthy and powerful family, all with different degrees of book-bound magical abilities and crossing their paths to uncover the secrets of their heritage and parentage.
A Sword of Bronze and Ashes by Anna Smith Spark
(Flame Tree Press, 2023)
This is one of those rare novels in which style and content are skilfully brought together in a way that leaves the reader (or at least, this reader) enthralled by both the story itself and the manner of its execution. It begins with Kanda, a mother and farmer’s wife who, one summer’s morning, while walking down to the water meadow to call the cows in for milking, spots a body floating down the river. Realising immediately what that means, she desperately tries to save her family from the terror that she knows is coming, revealing, as she does so, that in another life she was none other than Ikandera Thygethyn, the greatest of the Six Swords of the Hall of Roven. Together these golden and glorious knights would ride out, repeatedly, from that place of peace and beauty and light, to challenge the darkness, to fight the good fight, and to slaughter their enemies, again and again and again. This is not just a tale about a mighty warrior, however, taking up her sword one last time to protect those she loves. It’s also about facing up to the past, it’s about the hope for redemption and whether that hope can ever be truly fulfilled. It’s about the lies that parents have to tell their children to protect them and about how, inevitably, those lies will twist and strain and maybe even break the bonds between family members. And above all it’s about the contrast between the mythic and the mundane and about which of the two, in truth, offers the greater challenges and the richer prizes to be gained.
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