My Mother Murdered The Moon by Stephen Deas
(NewCon Press, 2022)
Reviewed by Stuart Carter
It’s not an easy life on Saturn’s moon Epimetheus: there are only three of you stationed there, each tour of duty lasts ten years (three years there, three years back and four years in the middle on Epimetheus); plus, it takes an hour for any communications to even reach Earth, let alone get back.
On the plus side, you’re doing vital and important work, watching over the mass accelerators stationed there ready to deflect any rogue comets or asteroids that might be inclined to pay Earth a visit. And, if you’re Roxy Micah, you’re also glad to be a long way away from your mother, the infamous General Micah, currently on trial for ordering the bombardment, six years ago, of the moon colonies, after they tried to secede from the home world. Or did they? Not everyone’s convinced they really blew up that old SpaceX Station and threatened to attack Earth with their lunar mass drivers, but hopefully the truth will come out during the trial. Hopefully. Anyway, you’ll soon find out: the long-overdue court verdict is due any day, and it’s not as though you’re close to your mother—you haven’t had a proper conversation with her for a long time now, thanks largely, but not entirely, to the time-lag. You were having communication problems with your mother long before that.
Continue reading…
Review from BSFA Review 18 - Download your copy here.
Vital Signals: Virtual Futures Near-Future Fictions edited by Dan O’Hara, Tom Ward, Stephen Oram
Reviewed by Duncan Lawie
The introduction to this collection left me with a heavy heart. It is full of sentences: “We are attempting to provide tentative situations that may be manufactured by the activities of the present.” So academic. Nevertheless, the idea of the book is intriguing. Vital Signals is a compilation of many short, short stories on the near future by writers from a variety of backgrounds, including some familiar SF names.
One of the advantages of stories of no more than four pages is that they are out of the way quickly. It’s no great effort to read several mediocre stories in a row. However, this also led to my gradual lowering of expectations as I worked my way through this volume. Perhaps tortured sentence structures or passive voice have their own tale to tell about disconnection from reality or the narrator’s own fears, but the multiple stories written in this way were difficult to enjoy or appreciate.
Resilient by Allen Stroud
(Flame Tree Press, 2022)
Reviewed by Dev Agarwal
My last review of a work by Allen Stroud ended with “And if you like Fearless, more is on its way as Stroud is currently at work on a sequel.” As promised, Stroud now delivers Resilient, second in his Fractal space opera adventure.
Fearless centred around life onboard the Search and Rescue spaceship Khidr. Its sequel pours kinetic energy into the opening, with a terrorist attack on Earth’s biggest power plant in Atacama, Chile. This is not just political violence, but an act of economic sabotage that imperils Earth’s population and those living off planet as well.
Truth of the Divine by Lindsay Ellis
(Titan Books, 2021)
Reviewed by John Dodd
If you haven’t read Axiom’s End, there are things discussed in this review that will reveal parts of the plot, take the time to go and read that book before looking at this review.
What if aliens existed and they came down to Earth, what would first contact really be like? This was the question that was answered in Axiom’s End, the first book in this series.
Where this goes, is what happens after first contact, when you know aliens exist, but the truth of who and what they truly are is still unknown. At the end of the first book, when Ampersand bonds with Cora, a new perspective of life begins, where what was just a story of physicality goes further into the psyche than the first book ever considered to do.
The Space Between Worlds by Micaiah Johnson
(Hodder & Stoughton, 2022)
Reviewed by Jamie Mollart
The Space Between Worlds was a Sunday Times bestseller, the winner of the Kitschies Golden Tentacle award and a New York Times Book review editor’s choice, so the question I asked myself as I settled down to read it was ‘does it live up to the hype?’.
Firstly, it doesn’t feel like the sort of book that gets this sort of fanfare. The blurb suggests space opera and deep sci-fi, but it is far from that. It’s actually an intimate novel with a small cast, exploring identity, class and family. It might be set in effectively a high concept situation, but the situation is the background, not the driving force.
Saved From The Fire by Mark Gallacher
(Ringwood Publishing, 2022)
Reviewed by Finn Dempster
Mark Gallacher’s debut, for all its flaws, never lacks ambition. We begin in a small village community, but the scale of the story is quickly set. This is a society rebuilding from the ashes of our own, having been knocked back to a second Neolithic era by a variety of disasters: the Culling, The Fire, and some dark era where knowledge in general and books in particular were blamed for humanity’s woes and destroyed in The Fire. But the written word is still alive, with the few surviving books carefully horded and protected by those who recognize their value. In an inviting twist, the narrator tells us we’re about to read some of the titular saved books—a history of those dark times.
The Last Adventure of Constance Verity, Constance Verity Saves The World and Constance Verity Destroys The Universe by A. Lee Martinez
(Jo Fletcher Books, 2022)
Reviewed by Dave M. Roberts
Constance Verity saves the world. A lot. It’s something she’s been doing since she was seven years old, and after twenty-seven years she’s really had enough. This is not unreasonable, as she can barely even go out for a coffee without encountering some evil mastermind wanting to dominate the world or aliens bent on global destruction. Nowadays, she would give almost anything for a normal life and a dull office job. The Last Adventure of Constance Verity describes her efforts to throw off the demands of the universe and become what she perceives as a normal person. Unfortunately, this involves tracking down and killing the fairy godmother who cast a spell on her when she was born making her the carrier of a ‘caretaker’ spell. As could be expected, it was never going to be as simple as that. The nature of the caretaker spell and its purpose provide much of the unstated impetus for the books. As one adventure ends, the controlling power the spell has over Constance and her group of friends is ultimately what is driving the plot. Indeed, the fact it has been removed and part is lodged in one of the other characters becomes key as the trilogy progresses.
The Clockwork Man by E.V. Odle
(MIT Press, 2022)
Reviewed by Andy Sawyer
A never-used Douglas Adams Doctor Who script (later adapted into a novel) featured a cricket match interrupted by aliens. E.V. Odle’s 1923 novel The Clockwork Man begins similarly, with Dr Allingham’s determination to improve his declining batting average blown to pieces by the sudden appearance of a strange gesticulating figure. Concentration gone, Allingham loses his wicket. Meanwhile, young Arthur, nervously awaiting his turn in a game for which he is temperamentally unsuited, tries to start up conversation with the new arrival, struck by his odd appearance—red wig, brown bowler hat, flapping ears—without even the “vaguest marks of homely origin”. The “Clockwork Man” (as he introduces himself) invites himself into the game, knocks the ball all over the place, fails to run when called on, eventually does so in such a chaotic fashion that he is eventually run out, and whacks the umpire when ordered to leave the field, astonishing Allingham, Arthur, Gregg (the team captain) and the rest of the players and spectators.
There is something very English about the disruption of this cosy scene, and, given that Odle’s novel has been out of print for some time, we have no idea if Adams had ever read it.
The Villa and The Vortex: Supernatural Stories, 1916–1924 by Elinor Mordaunt
(Handheld Press, 2021)
Reviewed by L.J. Hurst
Handheld Press have a small but significant list of re-discovered classics. One of their specialities is weird fiction, and within that is ‘women’s weird’ (the title of two of their theme anthologies). Elinor Mordaunt’s life (1872-1942) was extraordinarily varied, from a middle-class childhood through fiancés dying in Africa to actual marriage in the Indian Ocean to someone who proved to be a brute and subsequent escape to Australia. Somewhere in those last two events Mordaunt began to write.
The stories collected here are in chronological order and the first, ‘The Weakening Point’, about a boy born to die and reminded of it every birthday does not seem to have a strong feminine viewpoint. The next, ‘The Country-side’ (1917), about a parson’s wife who is driven to investigate a villager who is both a crone and a wise-woman, while simultaneously her husband is being unfaithful, concentrates on the women’s perspective. Mary Webb’s 1924 novel Precious Bane has a lot in common with the story. Then ‘Hodge’ (1921) will provoke comparisons with a more modern book: after many mournful wanderings on the Somerset Levels a brother and sister release a caveman from the mud and realise that he is lost: the sea is not where it was in his antediluvian lifetime. Once Hodge, the name given to the caveman, appears I couldn't help thinking of Stig of the Dump, though Mordaunt is far more downbeat. The penultimate story, ‘The Four Wallpapers’ (1924) again has a known theme but played in an unusual way: the layers of wallpaper in a Spanish villa have recorded the shocking events of their time, but peeling them back from the outside in, because the most recent layer was put on last, means Eva Erskine learns the denouement before she has perceived the cause.
Review from BSFA Review 17 - Download your copy here.
Witch Bottle by Tom Fletcher
(Joe Fletcher Books, 2021)
Reviewed by Kate Onyett
A witch bottle is a protection against evil that is buried at the doorway to secure the home. This is old belief and older magic, and with these Fletcher weaves a strange, folkloric horror tale through the surprisingly claustrophobic byways of the north country. Despite a wilderness as wide and wild as any viewed by the Romantics, dread comes clenching along the miles of walled-lined lanes, and we cannot look away.
Like rats running a maze, watched by some lurking presence, the narrow streets are a metaphor for life; the repetitive journeys, keeping heads down, just ‘getting by’. We rarely break out of our rut unless challenged by something extraordinary. Even without the supernatural, Fletcher shows the waste and sadness of lives lived on just one looping pattern with few rewards.
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