Artwork
Short fiction:
- 'A World of His Own' -- Christopher East (Interzone #197)
- 'Anyway' -- M Rickert (SciFiction, 24 August)
- 'Bastogne v.9' -- Christopher East (Interzone #198)
- 'Bears Discover Smut' -- Michael Bishop (SciFiction, 26 October)
- 'Bird Songs at Eventide' -- Nina Allan (Interzone #199)
- 'Dee-Dee and the Dumpy Dancers' -- Ian Watson & Mike Allen (Interzone #197)
- 'Deus Ex Homine' -- Hannu Rajaniemi (Nova Scotia: An Anthology of Scottish Speculative Fiction, ed. Andrew J Wilson & Neil Williamson)
- 'Down in the Deepflux' -- Jake West (Rogue Worlds #13)
- 'Ducks in Winter' -- Neal Blaikie (Interzone #196)
- 'Dusk' -- Jack Deighton (Nova Scotia: An Anthology of Scottish Speculative Fiction)
- 'Dying in the Arms of Jean Harlow (The Coming of the Autoscopes)' -- Paul Meloy (TTA #42)
- 'Garp and Geronamid' -- Neal Asher (Interzone #199)
- 'Going the Jerusalem Mile' -- Chaz Brenchley (TTA #41)
- 'Guadalupe and Hieronymus Bosch' -- Rudy Rucker (Interzone #200)
- 'Harrowfield' -- Neil Williamson (Dark Horizons #47)
- 'Harsh Oases' -- Paul Di Filippo (Interzone #201)
- 'Heads Down, Thumbs Up' -- Gavin Grant (SciFiction, 27 April)
- 'I, Robot' -- Cory Doctorow (Infinite Matrix, 15 February)
- 'Ikiryoh' -- Liz Williams (Asimov's, December)
- 'Imagine' -- Edward Morris (Interzone #200)
- 'Keyboard Practice, Consisting of an Aria with Diverse Variations of the Harpsichord with Two Manuals' -- John G McDaid (F&SF, January)
- 'Kivam' -- Dave Hoing (Interzone #197)
- 'La Malcontenta' -- Liz Williams (Strange Horizons, 7 March)
- 'Magic For Beginners' -- Kelly Link (Magic For Beginners; also F&SF, September)
- 'Magic in a Certain Slant of Light' -- Deborah Coates (Strange Horizons, 21 March)
- 'Piccadilly Circus' -- Chris Beckett (Interzone #198)
- 'Pisces Ya Bas' -- Gavin Inglis (Nova Scotia: An Anthology of Scottish Speculative Fiction)
- 'Planet of the Amazon Women' (parts one and two) -- David Moles (Strange Horizons, 16-23 May)
- 'Pupate'-- Brian Rideout (Neometropolis #5)
- 'Saving Mars' -- Jason Stoddard (Interzone #200)
- 'Second Person, Present Tense' -- Daryl Gregory (Asimov's, September)
- 'Sheila' -- Lauren McLaughlin (Interzone #201)
- 'Smile Time: The Comic' -- Astrid (LiveJournal community ats_endofdays)
- 'Soft Apocalypse' -- Will McIntosh (Interzone #200)
- 'SS' -- Nathan Ballingrud (TTA #41)
- 'Strings' -- David Mace (Interzone #200)
- 'Summer Ice' -- Holly Phillips (In The Palace of Repose; also Fantasy Magazine #1)
- 'The Ball Room' -- China Miéville, Emma Bircham & Max Schaefer (Looking for Jake and Other Stories)
- 'The Bennie and the Bonobo' -- Neil Williamson (Nova Scotia: An Anthology of Scottish Speculative Fiction)
- 'The Chiaroscurist' -- Hal Duncan (Electric Velocipede #9)
- 'The Conservation of Thelos'-- Lawrence Schoen (Apex #1)
- 'The Crying Queen' -- Lila Garrott (Not One of Us magazine #34)
- 'The Emperor of Gondwanaland' -- Paul Di Filippo (Interzone #196; also The Emperor of Gondwanaland and Other Stories)
- 'The Euonmyist' -- Neil Williamson (Electric Velocipede #9)
- 'The Face of America' -- David Ira Cleary (Interzone #196)
- 'The Horse of a Different Color (That You Rode In On)' -- Howard Waldrop (SciFiction, 2 November)
- 'The House of the Beata Virgo' -- Steven Mohan Jr (Interzone #199)
- 'The Intrigue of the Battered Box' -- Michael Cobley (Nova Scotia: An Anthology of Scottish Speculative Fiction)
- 'The Jenna Set' -- Daniel Kaysen (Strange Horizons, 14 March)
- 'The Kansas Jayhawk vs. the Midwestern Monster Squad' -- Jeremiah Tolbert (Interzone #197)
- 'The King of Where-I-Go' -- Howard Waldrop (SciFiction, 7 December)
- 'The Last Shift' -- Hal Duncan (Nova Scotia: An Anthology of Scottish Speculative Fiction)
- 'The Leopard Girl' -- Tim Lees (The Life to Come)
- 'The Little Goddess' (excerpt online) -- Ian McDonald (Asimov's, June)
- 'The Monoxide Age' -- Julian Todd (Not One of Us magazine #33)
- 'The One Millionth Smile' -- Neil Williamson (The Elastic Book of Numbers, ed. Allen Ashley)
- 'The Scribble Mind' -- Jeffrey Ford (SciFiction, 25 May)
- 'The Selene Gardening Society' -- Molly Brown (The Mammoth Book of New Jules Verne Adventure Stories, ed. Mike Ashley & Eric Brown)
- 'The Tetrahedron' -- Vandana Singh (Internova #1, April)
- 'The Vulture, 4-17 March' -- Harvey Welles & Philip Raines (Nova Scotia: An Anthology of Scottish Speculative Fiction)
- 'The Western Front' -- Patrick Samphire (TTA #41)
- 'Third Day Lights' -- Alaya Dawn Johnson (Interzone #200)
- 'This is Where the Title Goes' -- Scott Edelman (The Journal of Pulse-Pounding Narratives, volume 2)
- 'Threshold of Perception' -- Scott Mackay (Interzone #197)
- 'Totems' -- Will McIntosh (Interzone #196)
- 'Two Dreams on Trains' -- Elizabeth Bear (Strange Horizons, 3 January)
- 'Vessels of Light, Chapels of Darkness' -- Paul Edwards (Whispers of Wickedness, 14 October)
- 'What the Dead are For' -- Terry Gates-Grimwood (The Future Fire #2)
- 'Winning Mars' -- Jason Stoddard (Interzone #196)
- 'Written in the Stars' -- Ian McDonald (Constellations, ed. Peter Crowther)
- 'Zima Blue' -- Alastair Reynolds (Postscripts #4)
Novel:
Non-Fiction:
The BSFA award for non-fiction, which was suspended for 2004, was restored for
2005 with a new approach aimed at addressing the difficulties of comparing
the rather different forms such writing can take, while retaining a
crucial role for BSFA members.
The British Science Fiction Association award for non-fiction is open
to any writing about science fiction or fantasy published, on paper
or online, in the previous calendar year. The award is not confined
to academic criticism or reviews, but neither does it exclude these
categories. Works published by the BSFA itself are not eligible for
the BSFA awards.
For 2005, the shortlist and the overall winner were selected by a panel
of three judges from nominations made by members of the BSFA. The judges
for the 2005 award, drawn in this pilot year from within the BSFA organisation,
were Niall Harrison, Steve Jeffery and Geneva Melzack.
The intention behind the award is to promote good and thought-provoking
writing about science fiction, with an eye to recommending this writing
to anyone interested in science fiction and to members of the BSFA in
particular. Therefore, the full shortlist announced alongside the winner
has been published as a list of 'recommended reading'.
The judges for the 2005 award provided the following statement:
'We found 2005 to have been a good year for non-fiction. In addition
to the diverse range of works nominated by other BSFA members, we considered
book-length works as well as individual articles and collaborative works
appearing in journals, magazines, websites and web logs.
'We feel that the final shortlist both reflects this diversity and
recognises the qualities we think this award should celebrate. It therefore
includes works that we consider to be insightful, innovative, and well-written.'
The shortlist was:
The judges' statement continues:
'One of the obvious challenges in judging an award like this is balancing
book-length works and shorter articles and essays, including those from
non-traditional media. All of these have their own strengths but, in
their own ways, each of the shortlisted works demonstrates the qualities
for which we were looking in writing about science fiction or fantasy.
If they have a single quality in common, it is that they make you think.
'However, our final choice came down to a closely-argued decision between
two book-length works. One of these -- The History of Science Fiction
by Adam Roberts -- examines the historic ideas and the mindset that
led to the development of science fiction as a particular branch of
fantastic literature. It presents a wide-ranging and original thesis
which, whether the reader agrees or disagrees with it, forces them to
think about the ways in which science fiction developed.
'It was a very close decision but, in the end, the judges decided that
the 2005 BSFA award for non-fiction should go to Soundings
by Gary K Wolfe. This collection of reviews provides a reader's-eye
view of science fiction in the early 1990s. Wolfe's reviews are consistently
both perceptive and entertaining, and filled with innumerable careful
observations that are as useful to think with as they are to think about.
Collected together, they stand as an admirable exemplar of reviewing
as a forum for critical discourse, and are essential reading for anyone
interested in written science fiction.'